We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.
Symphony No. 10
by Sir Andrzej Panufnik
Orchestration
3233-6331-2perc-hp-pf-str
Duration
21 minutes
Year Composed
1988
If you see any information that is wrong, please provide feedback!
We will do our best to quickly correct any mistakes.
Report an Inaccuracy
Thank you for helping out OMDEX with your feedback. Your contribution will be credited if you would like!
Contact form failed to submit!
We apologize, but it looks like the form failed to submit. Please contact us directly by emailing [email protected].
Movements & Players Table
Part Name | Instruments |
|---|---|
Flute 1 | C Flute |
Flute 2 | C Flute |
Flute 3 | C Flute |
Oboe 1 | Oboe |
Oboe 2 | Oboe |
Clarinet 1 | Clarinet in Bb |
Clarinet 2 | Clarinet in Bb |
Clarinet 3 | Bass Clarinet and Clarinet in Bb |
Bassoon 1 | Bassoon |
Bassoon 2 | Bassoon |
Contrabassoon | Contrabassoon |
Horn 1 | Horn in F |
Horn 2 | Horn in F |
Horn 3 | Horn in F |
Horn 4 | Horn in F |
Horn 5 | Horn in F |
Horn 6 | Horn in F |
Trumpet 1 | Trumpet in C |
Trumpet 2 | Trumpet in C |
Trumpet 3 | Trumpet in C |
Trombone 1 | Trombone |
Trombone 2 | Trombone |
Trombone 3 | Trombone |
Tuba | Tuba |
Percussion 1 | Tenor Drum, Side Drum (Without Snares), and Bass Drum |
Percussion 2 | Tam-Tam, 2 Suspended Cymbals (Small/Large), and Gong |
Harp | Harp |
Piano | Piano Note: With lid off and, if possible, amplified with loudspeaker(s) placed near percussion. |
Violin 1 | Violin Section |
Violin 2 | Violin Section |
Viola | Viola Section |
Cello | Cello Section |
Double Bass | Bass Section |
Works With Similar Orchestration
Report an Inaccuracy
Thank you for helping out OMDEX with your feedback. Your contribution will be credited if you would like!
Contact form failed to submit!
We apologize, but it looks like the form failed to submit. Please contact us directly by emailing [email protected].
We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.